Open Letter to VIVA: JaDine deserves Quality Films

Dear VIVA,

Thank you for giving birth to James Reid and Nadine Lustre as VIVA Artists. Everyone would agree with me that 2014 wouldn’t be as exciting as it has been today without JaDine. Patronizing their tandem is one of the highlights of our 2014.

We trust VIVA on how you handle your artists having been in the industry for quite a long time. But we also believe that you put much consideration on how would the fans or people react on certain decisions or strategies that the management does. Launching JaDine last April 2014 was one of the best timing and decisions that VIVA has ever made.

However, coming from the two back-to-back movies that JaDine did, we, as their die-hard fans, tend to evaluate the career run of our idols and their reputation as movie stars. DnP is undeniably a surprising box-office hit, whereas TBYD, though it also performed well in the box office scene, it didn’t exceed the expectation that the fans had coming from the success of the first movie. The latter received a fair share of not-so-good movie reviews from critics due to its jumpy story line and direction. This has made me worried that even so JaDine performed well in terms of their acting and so, if the quality of the movie itself is below the moviegoers’ standards, that wouldn’t make sense at all.

ON JADINE’S NEXT MOVIE

Recently, VIVA Entertainment initiated a social media discussion where fans can vote for the next JaDine movie they want to see. Here are the choices:

1.)    Girlfriend for Hire

2.)    My Husband is a Mafia Boss

3.)    My Sadist Lover

On top of these three options, I also asked some of my Twitter Friends if they have suggestions other than the above-presented stories. They suggested the following:

4.)    Project Ex, Project Why and Project Z

5.)    All Over Again

I have ‘somehow’ read and studied the story lines of these five wattpad stories. Though I commend the artistry of these aspiring writers and respect the fans of the stories, I couldn’t help but observe that almost all the plots of these stories are common.

Typical Arrogant Boy meets the Palaban Lady. Typical Chick Magnet meets the Palaban / Astig Lady again. Though I see that the stories have their own kilig scenes and attacks, it’s hard not to associate it with the Cross-Eya love story or Dao Ming Xu-San Chai love story. Girlfriend for Hire might be associated with Kim Chiu and Xian Lim’s Bride for Rent due to its title (oops did I mention that the Brye’s surname is also Stanford). Project Ex, Project Why and Project Z have potential in terms of the richness of its plot, but all three still carry a common or predictable story line as their titles imply.

My Husband is a Mafia Boss is another gangster film. It’s too dark for JaDine. We don’t want another Talk Back and You’re Dead Movie, right? And we don’t want to fast forward the maturity of JaDine, like the Mr and Mrs Smith peg of Angelina and Brad Pitt. Please take note that the quality of film doesn’t depend on how many kissing scenes a story has. J (Kahit gusto ko non, pero Vote Wisely pa din.)

When I first read My Sadist Lover, I got interested reading it. But along the way, I’ve found it very heavy since the story is so heartbreaking. It’s like I would feel heavy hearted after I watched it on the big screen. It’s the same with All Over Again. It’s not that popular but both have the same theme: Broken-heartedness.

Looking at it now, I observe that moviegoers opt to watch feel-good and heartfelt movies than those with heavy story lines. Ang drama na kasi ng buhay ng mga Pilipino eh. Remember also that DRAMA is not YET the forte of JaDine.

Don’t get me wrong. I commend the writers of these stories. They have invested time for these stories and gained fans because of their story takes. But not all stories have cinematic potential. Some may be fit for Teleserye Adaptation instead of a movie adaptation. But to justify my points clearly, here are the options that I’d like to present for your considerations.

OPTION A: Petition for ORIGINAL Material

I get it. James and Nadine are the Book King and Book Queen of Philippine Movies and you don’t want to veer away from that title this early. But take note that this has pro’s and con’s. Based on previous experiences, due to wrong direction and unimpressive story treatment of a book adaptation, there’s no denying that the REPUTATION of James and Nadine as an artist has been affected.

They are the face of the film, that’s why they carry the quality of the film. They are the brands of the film so whatever comments the viewers have, the initial blame goes to the lead stars of the film. It’s on the latter part when people realized that it all boils down on the director himself.

Having an ORIGINAL Material is a good selling point as well since nobody knows the exact flow of the film. Disappointment rate wouldn’t be as high as compared with movie adaptation since there’s no expectation coming from the readers’ imagination.

This is also James’ and Nadine’ chance to prove themselves; and work with caliber directors and Star Cinema’s screen play writers.

OPTION B: Diary ng Panget 2 with a Twist

Yes Guys. I hear you! Some fans have been protesting for Diary Ng Panget 2. They missed Cross, Eya, Lory and Chad. They also missed Fab 4 – Nadine, James, Yassi and of course, Andre. I miss you Andre. 

At first I didn’t entertain the idea because for me it could be a ‘downgrade’ for Nadine as EYA since she already established her image as the beautiful, rich-achiever, named SAM in TBYD. But how about a TWIST? ( Since we only have one book remaining, sorry Denny for this suggestion)

·         After GRADUATION: What if EYA became beautiful, but not as beautiful as SAM. Sakto lang. No pimples. No bad hair days. No jumpers. No sneakers. Tamang feminine lang. Tamang wardrobe makeover. She did that out of insecurity from girls running over Cross. She changed physically but not a big change, same personality still. Until she became noticeable to the eyes of other guys. Another love triangle came along. That guy fell in love with the new EYA. Conflict arises between the new guy and Cross. Jealousy issues..--- I can go on and on.. but it’s like a story about CHANGE; but at the end of the day, CROSS still chooses the PANGET EYA over the NEW EYA. Cliché but at least may twist. (I am sure you guys can think of something better)  

It’s hard for me to explain but a story twist as such can be effective to viewers. As much as we want to be faithful on the story line, it’s also better to provide the moviegoers something unexpected, something to watch out for, like a plot twist but of course Cross and Eya pa din in the end.. The conflict in DNP Book 4 just revolves around a showdown with Eya and the ‘other girl’ whose name I forgot. This may seem shallow once it is adapted in a movie.

DNP could be another hit as long as VIVA offers a twist in the story. Do not stick with the book itself.

OPTION C: WATTPAD STORIES but in ONE or TWO or THREE or FOUR CONDITION(s)

Since you want to live with the BOOK KING AND QUEEN TITLES of JADINEs, okay… let’s go with WATTPAD STORIES (could be the 5 options as presented above or other suggestions) but here are the conditions: (these can be applied once you start filming TBYD)

1.)    New Director – No more Direk Andoy Ranay this time. Look for other Directors, the likes of Chris Martinez, Joyce Bernal, Mae Cruz, Laurenti Dyogi, etc. Again, a change of direction is a good selling point.

2.)    No Rush – Yes we are excited; but we are not impatient. Do not fast-phase the production. Take your time. “Starting Over Again” taped for one year, and also “The Gifted” – both films earned great reviews from movie critics. So please take your time. We are not in a hurry.

3.)    Collaboration of Screen Play Writers – Allow Star Cinema Screen Play writers to collaborate with Ms Keiko Aquino. Two heads are better than one. This could address problems in terms of story treatment and poor scene by scene transitions. Get the gist and don’t make us feel again that there are hanging or cut scenes in between. Since most of the choices above are not that popular as compared with DNP and TBYD,  writers can just based the story on tho

4.)    Please the Non Readers– I have been saying this but please give a story that would please the non readers more than the fans of the book. Take note that the book fans are automatic ticket buyers.

Thank you VIVA. I hope you take into considerations the views and opinions of the fans. I am just speaking on their behalf. I know you have a lot of experience in doing this but listening to the clamors of fans won’t hurt you. 

Sincerely,

JaDine Publicist

Note:

To all JaDine / Naddict / Reiders / Kehrbears, please VOTE Wisely. There you go. You have three options to choose from. If you have OPTION D, E, F… let me know. Let this be a venue for discussion. Please bear in mind that at the end of the day, no matter how popular you are, how much effort you put into it by endorsing it, it’s the QUALITY OF FILMS that really matters.

P.S. Bashing of other fandom is not allowed here.

The floor is now yours. Feel free to suggest. Who knows, this might reach VIVA. 

Love you guys. 

Follow Me on Twitter: JaDine Publicist

Call for Redemption: On TBYD Blockbuster Performance

Call for Redemption: On TBYD Blockbuster Performance

Months before Talk Back and You’re Dead has been released, there’s no denying that this film has been the talk of the town in Social Media, Television, and so on. TBYD Shooting Days and all activities related to the film were everyday trending topics worldwide and nationwide. Kudos to the fans who were participative in doing a free promotion of the film. Also, it became a big thing, when it was confirmed that Star Cinema would be part of the production and promotion arms of TBYD. My say about it, “ Wow – it was full house.” So I somehow expected a lot on the gross sales performance of TBYD. But how’s the performance of the film, really now?

Who gets the blame?

Just a while ago, I received an updated on the latest gross sales of TBYD as of August 31. Currently on its third week, the running sale is Php 67,890,960 Million as per Box Office Mojo. It’s inevitable to compare TBYD with the benchmark gross income of DNP which is more than Php 100 M, since it also starred the same box-office love team James and Nadine.

So here lies the big question: *Considering the unexpected popularity of the JaDine loveteam, the massive growth of their followers, the box-office reputation of James and Nadine that they had because of DnP, the inclusion of Joseph Marco (who has on-going soap Pure Love), the promotion of the two biggest production houses – Viva and Star Cinema, and the trending efforts of the JaDine fans and the Talkbackers, what the heck happened?

It all boils down on the story treatment of the film which has been the main critic of blog writers, movie review critics, journalists, etc. From an objective point of view, you’ll appreciate how beautiful it was written on the book than it was treated on the big screen. But I have already had my take about the movie adaptation, I already indicated the hero and the big-no-no on the film, my point right now is - who gets the blame? It’s 70% the Director and 30% the Screenplay writer.  

Just a disclaimer, I don’t mean to bash anyone. But this is reality. I am doing this on behalf of all the fans who expected, all the fans who gave their full-support promoting the film, all the fans who cry for Justice on TBYD; because seriously there are a lot of ‘could-have-been’s’ on the film.  

Moviegoers are dependent on movie reviews, and since TBYD has somehow been receiving bad reviews because of its jumpy scenes or problematic scene transitions and story-line treatment – those reviews became a major turn off to viewers and for some reasons, the good reviews and applause from Talkbackers and some people who watched the film were overshadowed by ‘the bad reviews’ from critics.

But with all the criticisms on the film, I assure you maganda talaga ang libro.  Alesana Marie’s Talk Back and You’re Dead and upcoming sequel, Never Talk Back to a Gangster have really good stories and it’s the best wattpad story or Candy Mag story (or any teen-written books) that I’ve read so far. I’ve read Diary Ng Panget, Breaking the Cassanova’s Heart – Operation, Marcelo Santos’ Para sa Hopeless Romantic, She’s Dating the Gangster – but Alesana’s story is the best so far, at least on my opinion. That’s why as a Talkbacker and as a JaDine fan, I call for justice on its movie adaptation and also justice on my idols’ reputation for this one.

Redemption for Never Talk Back to a Gangster

I am not an expert. I am just a mere movie junky. So I don’t know if my suggestion to the screenplay writer is valid. As much as I want to commend her faithfulness on the book, I suggest to summarized the whole book, get the gist, take note of the plot and the remarkable scenes, then write an outline of the film – 75% should tap the story line of the book, then dedicate the 25% to non readers, do some scenes that are relatable to the general public. Remember, Talkbackers are automatic ticket buyers; it’s your time to please the non-readers.

Sorry if I sound rude by calling out this petition to Viva, but for the betterment of the film, I would like VIVA to replace Direk Andoy Ranay as director for Never Talk Back to a Gangster. The final say of the film comes from Directors. He actually beautifies the scene as it was written on the script. Since Star Cinema takes part on this film, I suggest Direk Mae Cruz or Direk Laurenti Dyogi should take his place. They have produced remarkable films in Star Cinema.

Don’t get me wrong, I love Direk Andoy and I give him credit for launching JaDine’s film, but then again, for the betterment of the film, to give it a different attack and taste, to give us hope, I would like him to be replaced.

Although I am considering a second chance for Direk Andoy on NTBG, I don’t want to take that risk again. Plus, a change of director might be a good selling point once NTBG has been released. Like – “Sige Na nga, iba ang director eh, try na nga naten.”

As per the screenwriter, I am still okay with Ms Keiko, but collaboration with Star Cinema Film Writers would be advisable for this one. They know how TBYD performed and I’m pretty much sure that they already know what issues need to be addressed on their next take.

TBYD 68M as of August 31: Still A Good Sign

To those who are asking – Yes, 68M as of its 2^nd week run is still a good sign for a 6-month old love team, for two rising celebrities who don’t have regular shows to hone their skills and popularity, for two break out stars who didn’t have home networks yet (not until they signed last August 26), YES IT’S STILL A GOOD SIGN. It’s still a blockbuster film.

To all the bashers or haters out there, like what I have stated on my previous blog post, I would advise you to backtrack on how your idols started before you bash our idols. Allow me to do it for you by enumerating some Star Cinema / VIVA Films that performed fairly in the box office scene.

(Based on Box Office Mojo)

Last November 2012, Star Cinema produced 24/7 in love, a film lead by Kim Chiu and Gerald, John Lloyd Cruz and Angelica, Bea Alonzo and Zanjoe, Maja Salvador and Deither, and also Kathryn and Daniel. 24/7 in love movie earned around 75 Million in the Box Office. Same year around May 30, Star Cinema also produced Born to Love you by Angeline and Coco Martin which only earned Php 52 Million.

Fast Forward 2013, Star Cinema produced A Moment In Time which starred Coco Martin and Julia Montes, fresh from their TV Series Walang Hanggan. The film which was released Feb 13, 2013 earned Php 64 Million. The launching movie of KathNiel, entitled “Must Be Love” which was also released and produced by Star Cinema last 2013 earned around Php 65 Million in the box office. 

Take note, the lead stars of those films were bankable Teleserye actors of ABSCBN.

Why am I saying this?

I am saying this to enlighten the fans (JaDine or not), that all artists, even those who are already bankable stars at ‘that’ moment, experienced the same thing BUT look at where they are now? They’re still at the verge of their career. They're still the big deal in showbiz. Nothing changes.

That’s why I am still proud to congratulate JaDine for this one. They really pulled this off. Again, with no Teleserye Background to build them up and home networks to work with, they still made it big on the big screen. No one expected that DnP would be a big hit in the first place but it did. Just like what James said on their Pep interview, they expected only Php 5 Million on the first day of DnP, but the result was thrice of their prediction.  

I’ll reiterate this, before you guys laugh, bash, or judge, I suggest you also BACKTRACK on how your idols started. We cannot compare the achievements of JaDine to a 5-year old or 3-year old showbiz tandem or personality. They’re just starting their careers as compared to other artist who have already found their stability and spent years in the showbiz industry already. I believe all of them have gone through James and Nadine’s journey, too.

If I wanted to compare JaDine to other artists, I would have pointed out why DNP, with its new artists, earned higher compared to 24/7 in love. But I don’t want it that way. We don’t want to initiate hate. JaDine is not here to compete because they’re just jumpstarting their careers. The reason why they’re in demand now because a lot of people saw their potential. That’s basically the reason why the number 1 network signed them in as Kapamilya for two years.

So guys, nothing to be ashamed of. Let’s keep moving forward; the same thing how the fans of other artists move forward from one project to another, whether it turned out good or bad.

Before I end this note, Talk Back and You’re Dead didn’t perform bad in the box office scene; it’s just that the result didn’t meet our expectations, that is, if we based it on social media performance, demands prior to its release and other factors which I mentioned earlier (*considering…).

Regardless of anything, that wouldn’t change the fact that James and Nadine are on their way up. I always see this on twitter, people describe them as “Breath of Fresh Air” in Television. Don’t get us wrong, we are not bragging. We are just overwhelmed with the achievements that our idols have of the last 6 months of being together. We express this happiness without bashing other people. As much as possible, I’m calling out everyone not to practice CRAB MENTALITY. It’s unhealthy.

On a good vibes mode, who’s excited for My App Boyfie? I am! Curiosity never dies with JaDine. They have already proven their box office charisma, now let’s see how they make it as Teleserye Break Out Stars of ABSCBN.

Spread the love. No Hate.  

Follow me on twitter: JaDine Publicist

Talk Back and You’re Dead Movie Review

Let me get this straight. I am a fan of James Reid and Nadine Lustre, it’s obvious if you have read my previous blog posts regarding the poster issue of TBYD. But I will try to be as objective as possible on giving a review about the film, not as a fan but as a moviegoer. So here you go.

The Story Outline

I’ve read TBYD Twice, both Volumes 1 and 2. There’s no denying that I’m a big fan on how Alesana Marie imagined that kind of “Astig na love story” plot. As a fan of TBYD Trilogy, I have a different story line in mind, well that’s pretty much normal to readers. There are scenes on the book that I wish could have been included on the big screen. There are also some scenes on the film that I wish could have been deleted either.

To be honest, I understand why some critics say that the story is ‘kindda’ all over the place. If you have read the book, that’s a good thing because you can really relate and follow the flow of the story, but, we also aim to please those who haven’t read the book yet. The transition per scene or the connection from one scene to another needs improvement.

Say for example – the Christmas Ball Scene: This is a break up scene of Sam and Top. It was when Top found out that Sam is up for a fixed marriage with his best friend, Red. Sam was forced to lie and dump Top rudely to make it easier for Top to move on. There were few scenes in between but no scene has established how Top found out the truth that Sam just lied. There was no confrontation between Red and Top also. If I were the screenplay writer, I would have inserted the scene when Red confronted Top and told him the truth behind the fixed marriage; when Red convinced Top to fight for Sam. This is the scene that could have been included prior to the Christmas Concert scene.

If I haven’t read the book, I would find the scenes jumpy and confusing.

Next time they write a book adaptation, I hope they’ll work on an outline that would cater both the book readers and the moviegoers who haven’t read the book. Yes, we aim to please the fans of the book; we don’t want to disappoint them by staying faithful on the story line. I want that also, but I hope the screenwriter would find a creative way to make it relatable and understandable to the moviegoers as well, all ages.

Take note that the book readers are automatic ticket buyers, so we really have to invest more time on pleasing the non-readers of the book.

On top of everything, the following scenes are my favorites:

(1)    The Beach Scenes

(2)    The Helicopter Scene

(3)    The Mistletoe (who doesn’t?)

(4)    The Napkin Scene

(5)    The touching confrontation role of Sam and Audrey while they’re watching a stage play.

(6)    The Two Years After Scene

(7)    The After Credit Scenes (I know most of you were heartbroken seeing this one)

The Cinematography

There are parts of the film when I feel that the cinematography is same like the cinematography of Indie Films. Although the depth of field on some scenes is commendable like the one when Top and Sam had dinner with Top’s parents – the moment when Mr. Pendleton found out that Sam’s parents are the famous Perez in the business industry; the close up shot / treatment clearly delivered the conflict between Top’s Father and Sam’s Parents. Second is the Napkin Scene, when Top was in front of the Napkin row of a grocery story – that was funny!

The Direction

I think the story line is pretty much dependent on the direction of Direk Andoy Ranay. However there are scenes on the teaser that we didn’t see on the movie itself. Talking about the comments of those who watched this, like the piggyback ride of Sam and Red. That’s just cute.

Since directors are in charge of the post-production of the Film, I think they shoulder the criticisms in terms of the treatment of the story line of their film. Also, with regards to the acting skills of Direk Andoy’s cast, how I wish Direk Andoy pushed Nadine to the limit and inspired her to capture the right emotion or the “Hugot” factor every dramatic scene. He could have addressed the “almost crying” moments of Nadine; if only Direk Andoy pushed and helped her unleash the emotion that could have been better.

My review on the story line is pretty much applicable under the direction section. I think it’s actually a tag team between the director and screenwriter.

The Casting

I have no problem with the lead cast. The four of them justified their respective roles. But I wonder why they put Candy Pangilinan as Sam’s mother and Christopher Roxas as Sam’s father. I didn’t imagine them doing the roles of Sam’s parents. Whenever I see Candy Pangilinan, I see a comedian – that’s her trademark. That’s why when I saw her at the big screen, I couldn’t help but laugh. Christopher Roxas is too small as a father of a long-legged Sam. For Sam’s mother, I actually imagined Phoemela Beranda doing the role. I couldn’t think of anyone to play the role of Sam’s father for now.

The Acting Skills

In Diary ng Panget, it’s Nadine’s moment; but here in Talk Back and You’re Dead, it’s James time to shine. Nadine carried the whole movie in DnP whereas James surprised the audience here in TBYD. So we call it quits.

Nadine’s forte is really romantic comedy. Her comic antics are really natural; it’s not forced as compared to other teen actresses out there. Hers is just so inborn. She can be silly without making us see that she’s just trying hard and I believe she’s more comfortable doing romantic comedy scenes. However, Nadine needs improvement when it comes to drama.

There’s this hospital scene of Top when she cried because she thought Top has a cancer. I don’t know if Direk Andoy directed her to just fake the crying and make it funny or she wasn’t able to pull that off during that scene. There were also some dramatic scenes when I was really hoping that a tear would fall on her face but almost all her dramatic scenes were “almost there” except for the Bluemoon Scene and the Final Scene when she found out the truth about her past (btw, Direk Andoy, you should have edited this one).

On a good note, I find it very convincing whenever Sam as Nadine, expresses her love for Top. When she said, “Mahal Kita, Sobra,” I felt like it’s happening for real.

There’s no denying that the chemistry of James and Nadine are to die for. The “Kilig” factor is not teeny bopper, not too cheesy, it’s overloaded with KILIG and ASTIG factor. The way they kissed and hugged each other was very passionate.

For James, what stunned me was when he had a confrontation with his dad while having dinner. I was surprised to see him act that way. Also at the end part, I appreciate the tears that fell on his face when he hugged Sam after 2 years of waiting. However, for me, I didn’t feel that much ‘sabik factor’ when he was finally reunited with Sam. Direk Andoy could have pushed him more on this scene; he could have hugged Sam very tight to feel the ‘sabik factor.’

James needs to double time on studying his Tagalog because there are lines that sound funny when he delivered it. Like this line, “Pwede ba, huwag ka na kumontra, Talk Back and You’re Dead!” I misheard the word “kumontra” with “kumanta.” There’s this awkward scene also when he rescued Aubrey, the action choreography while he was saying “sabi nga nila, maraming namamtay sa akala!” For me, I found it awkward.

Consider these things

While I understand that there are critics who have world-class or cinemalaya story line standards, I also get the point why moviegoers rave about Talk Back and You’re Dead. When was the last time you watched an Action-filled Love Story? I couldn’t recall the last movie that has that story theme; not until Talk Back and You’re Dead. They actually relived that kind of movie pegs. The last time I remembered was the movie of Robin Padilla and Jolina Magdangal.

The next secret ingredient was it delivered the overloaded amount of KILIG and ASTIG-ness, the GANGSTER-FEEL.

Please take note that James and Nadine are beginners in the industry. They don’t have any major Teleserye background yet. Not even an MMK stint. That’s why they haven’t established their own dramatic senses yet. So please, don’t expect too much. Give them time. Besides, a lot of actors started that way. Gerald Anderson had problems with his tagalong and acting before, but later on became one of the best actors of his generation through Budoy. Even Daniel Padilla, he’s not as good as he is today when it comes to acting but because of years of practice, of Teleserye Lead Roles, he already has his dramatic sense already (as per Direk Cathy).

So for critics, please take it easy on them. I am pretty much confident that this 6-month old love team will surprise you in the coming films and Teleserye Scenes and I couldn’t wait to see them grow. Give them chance.

James and Nadine wouldn’t be tagged as the next big thing in showbiz or the break out love team of the year, if people, even the management, don’t see their potential as artists. I am very sure that they will see criticisms as tool to help them improve on their respective crafts. But critics are different from bashers.

Box Office Update

Star Cinema announced that TBYD earned 30 Million, three days after the first-day showing. It’s actually a strong figure considering that they’re competing against the much-awaited Japanese film, Rouruni Kenshin. Days after the announcement, we haven’t seen any update from Star Cinema regarding its running figure. But it wouldn’t be tagged as ‘blockbuster’ if it’s not a ‘blockbuster.’ Just observe the promo difference with Once A Princess.

Although the PHP 100 M of DNP is a benchmark already for JaDine, let me also comment that the play date of DNP was very strategic as compared to TBYD. DNP didn’t compete with any ‘strong’ Hollywood film that time; everyone’s on Vacation Mode, no more classes – which the ever day baon  can be allocated to movie tickets. J

Believe me, there are posts of fans who captured the long lines in Cinemas for Talk Back and You’re Dead. Last Sunday, a fan also posted long lines for TBYD’s Last Full Show in SM North Edsa. There are also Instagram Photo Tags in James and Nadine’s IG Accounts.

It’s also impossible not to consider it a blockbuster since we all saw the Mall Shows of TBYD Casts. I experienced it myself. I thought a STAMPEDE was going to happen anytime soon because of the crazy fans. Plus, it’s trending every day, consider that FREE PROMOTION.

Though comparison is inevitable, we cannot compare TBYD to the gross figure of other films since they are just starting their career. Let me repeat, JaDine is just a 6-month old love team; they don’t have Teleserye to hone their skills, regular shows and endorsements to increase their popularity and artist-recall.

Whether or not they hit or breach a PHP 100 M Mark (which I believe and pray they would since it's still showing), there’s no denying that they are on their way to stardom, and true enough, they are the next big thing in showbiz. That wouldn't change the fact that there's no stopping the JADINE Tandem. I suggest that people should also backtrack on how they idols started. Same thing goes with JaDine.  Likewise, they are the Break Out Stars of 2014. I could never be prouder. 

Talk Back and You're Dead, still showing in 120 Cinemas Nationwide!

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